Biographies Samuel Coleridge-Taylor, 1875-1912

Image: Samuel Coleridge-Taylor
[Samuel Coleridge-Taylor, three-quarter length portrait, seated, facing front], c1905. Prints and Photographs Reading Room, Library of Congress.

Samuel Coleridge-Taylor was born in Croydon, England, on August 15, 1875. His father, a doctor from Sierra Leone, was forced to return to his home country around the time of Samuel's birth because he was not permitted to practice medicine in England. Samuel remained in England with his mother.

Coleridge-Taylor's talent was quickly recognized by the British musical elite. One of his principal music composition teachers was Charles Villiers Stanford. At the suggestion of Edward Elgar, Coleridge-Taylor was commissioned to write a piece for a festival in 1898. The resulting "Ballade in A Minor" was a tremendous success. A subsequent trilogy written from 1898 to 1900 and based on the story of Hiawatha secured his fame for the remainder of his life.

In 1899 Coleridge-Taylor first heard American spirituals sung by the Fisk Jubilee singers on one of their tours. He became interested in African-American folk song and began incorporating it into his compositions. Black Americans returned the compliment. In 1902 a group of African-American music lovers formed the Coleridge-Taylor Society to perform and promote his music in America, and eventually brought Coleridge-Taylor over for three successful tours--in 1904, 1906, and 1910. During the first tour, Coleridge-Taylor conducted the Marine Band along with the Coleridge-Taylor Society Chorus. He also met with President Teddy Roosevelt. Subsequent tours took Coleridge-Taylor to more and more cities in the Midwest and the East.

In England, Coleridge-Taylor continued an active life in music. He composed, taught at Trinity College of Music, conducted numerous choral societies, and even conducted in the famed Handel Society from 1904 until his death. Samuel Coleridge-Taylor died on September 1, 1912, of pneumonia contracted due to overwork.

Selected Works at the Library of Congress

About this Item

Title
Samuel Coleridge-Taylor, 1875-1912
Subject Headings
-  Coleridge-Taylor, Samuel -- 1875-1912 -- -- composer
-  Popular Songs of the Day
-  Songs and Music
-  Parlor and Concert Stage
-  Social Change
-  Progressive Era to New Era (1900-1929)
-  Biographies
Genre
biography
Online Format
online text
Description
Biography. Biography. In England, Coleridge-Taylor continued an active life in music. He composed, taught at Trinity College of Music, conducted numerous choral societies, and even conducted in the famed Handel Society from 1904 until his death. Samuel Coleridge-Taylor died on September 1, 1912, of pneumonia contracted due to overwork.
Additional Metadata Formats
METSXML Record

Rights & Access

Rights assessment is your responsibility.

The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations.

Responsibility for making an independent legal assessment of an item and securing any necessary permission ultimately rests with persons desiring to use the item. Users should consult the bibliographic information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses.

Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item.

In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Please contact:  Performing Arts Reading Room.

Suggested credit line: Library of Congress.

The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations.

Responsibility for making an independent legal assessment of an item and securing any necessary permission ultimately rests with persons desiring to use the item. Users should consult the bibliographic information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses.

Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item.

In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Please contact:  Performing Arts Reading Room.

Suggested credit line: Library of Congress, Music Division.

More about Copyright and other Restrictions

For guidance about compiling full citations consult Citing Primary Sources.

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Samuel Coleridge-Taylor, 1875 to 1912. Online Text. Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200038837/. (Accessed April 23, 2017.)

APA citation style:

Samuel Coleridge-Taylor, 1875 to 1912. [Online Text] Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200038837/.

MLA citation style:

Samuel Coleridge-Taylor, 1875 to 1912. Online Text. Retrieved from the Library of Congress, <https://www.loc.gov/item/ihas.200038837/>.