Biographies Eubie Blake, 1883-1983

Image: Portrait of Eubie Blake
Portrait of Eubie Blake (n.d.). Performing Arts Reading Room, Library of Congress.

Eubie Blake was one of the most important figures in early-20th-century African-American music, and one whose longevity made him a storehouse of the history of ragtime and early jazz music and culture. Born in Baltimore in 1883, Blake began playing piano professionally when he was 16; he wrote his first composition, "Sounds of Africa," (later retitled "Charleston Rag") around the same time. His career did not really take off until he met Noble Sissle in 1915. Together, Blake and Sissle wrote many hits. Blake also collaborated with Andy Razaf (on "Memories of You"), Henry Creamer, and other writers, composing more than 350 songs.

Blake, Sissle, and Europe began collaborating on the musical Shuffle Along in 1916, but were interrupted by World War I and Sissle and Europe's military service overseas. Europe and Sissle returned to the United States in 1919. Europe died shortly after returning from Europe; Blake and Sissle continued working on the musical until its premiere in 1921.

Shuffle Along was the musical sensation of 1921--guaranteeing Blake his place in music history. The musical was significant not only for single-handedly reviving the moribund genre of the black musical, but also for helping launch several young performers and composers on their successful careers. Among these notables were Josephine Baker, Florence Mills, Paul Robeson, and William Grant Still, who was in the pit orchestra. Many songs from Shuffle Along, such as "I'm Just Wild About Harry," "Love Will Find a Way," and "In Honeysuckle Time" became great hits, were recorded dozens of times, and retain their freshness and charm more than 80 years later.

Blake was one of the principle figures of the ragtime and early jazz revival of the 1970s, giving talks and performances well into his nineties. In 1979 the musical Eubie was created from his work; Blake himself made several cameo appearances in performances. Eubie Blake passed away shortly after his 100th birthday.

Selected Works at the Library of Congress

About this Item

Title
Eubie Blake, 1883-1983
Subject Headings
-  Blake, Eubie -- 1883-1983 -- -- composer
-  Popular Songs of the Day
-  Songs and Music
-  Parlor and Concert Stage
-  Social Change
-  Progressive Era to New Era (1900-1929)
-  Biographies
Genre
biography
Online Format
online text
Description
Biography. Biography. Blake was one of the principle figures of the ragtime and early jazz revival of the 1970s, giving talks and performances well into his nineties. In 1979 the musical Eubie was created from his work; Blake himself made several cameo appearances in performances. Eubie Blake passed away shortly after his 100th birthday.
Additional Metadata Formats
METSXML Record

Rights & Access

Rights assessment is your responsibility.

The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations.

Responsibility for making an independent legal assessment of an item and securing any necessary permission ultimately rests with persons desiring to use the item. Users should consult the bibliographic information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses.

Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item.

In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Please contact:  Performing Arts Reading Room.

Suggested credit line: Library of Congress.

The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations.

Responsibility for making an independent legal assessment of an item and securing any necessary permission ultimately rests with persons desiring to use the item. Users should consult the bibliographic information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses.

Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item.

In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Please contact:  Performing Arts Reading Room.

Suggested credit line: Library of Congress, Music Division.

More about Copyright and other Restrictions

For guidance about compiling full citations consult Citing Primary Sources.

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Eubie Blake, 1883 to 1983. Online Text. Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200038834/. (Accessed July 29, 2017.)

APA citation style:

Eubie Blake, 1883 to 1983. [Online Text] Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200038834/.

MLA citation style:

Eubie Blake, 1883 to 1983. Online Text. Retrieved from the Library of Congress, <https://www.loc.gov/item/ihas.200038834/>.