Collection Items
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Notated MusicPrelude, chorale et fugue manuscript score | 21 p. | Moldenhauer Archives at the Library of Congress (Source Identifier). Dedicated to Marie Poitevin (General). Manuscript Score (Form).
- Contributor: Franck, Cesar
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Manuscript/Mixed MaterialLetter from Thomas Attwood to Susan Taylor, 24 September 1829 Government Publication. Correspondence. In English. (Language).
- Contributor: Attwood, Thomas
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Manuscript/Mixed MaterialLetter from Carl Phillip Emanuel Bach to Breitkopf, 27 December 1783 Government Publication. Correspondence. German. New Year's letter; refers to songs, changes in his chorales In . (Language).
- Contributor: Bach, Carl Philipp Emanuel
- Date: 1783
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Book/Printed MaterialReceipt, Johann Sebastian Bach Government Publication. Manuscripts. Leipzig, 26 Oct. 1746, 25 Oct. 1747, 27 Oct. 1748, n.d. German. Fourth receipt in the hand of Johann Christian Bach In . (Language).
- Contributor: Bach, Johann Sebastian
- Date: 1746
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Notated MusicViolin Concerto, no. 2, 1937-1938 Scores. First proofs (London: Hawkes & Son, c1945) with autograph corrections and ---annotations
- Contributor: Bartók, Béla
- Date: 1945
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Book/Printed MaterialReceipt, Luigi Battiferri Government Publication. Manuscripts. 12 June 1662. Italian In . (Language).
- Contributor: Battiferri, Luigi,/10-After 1682
- Date: 1662
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Notated Music[Don Giovanni by Mozart] Scores. German. Beethoven's autograph copy, containing nos. 16 (Terzett) and 20 (Sextett), of the second act. Complete score of the vocal parts, with sketches of orchestral parts
- Contributor: Beethoven, Ludwig Van
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Notated Music[Piano Sonata in A Major, op. 101, Allegro] Scores. Sketch. On verso, sketches for the canon "Das Schweigen". With letter from Alan Tyson, 7 Aug. 1973
- Contributor: Beethoven, Ludwig Van
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Notated Music[Piano Sonata in D Major, op. 28, Andante, 1810?] Scores. Sketch. With note of authentication by Ignaz Sauer
- Contributor: Beethoven, Ludwig Van
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Notated Music[Neumes] Scores. Latin. The first four lines (of eighteen) with musical notation for the text passage beginning with "O culpa"
- Contributor: Anonymous
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Notated Music[Organ Tablature] Scores. German. Excerpt. The cover is a floral patterned marbled paper
- Contributor: Anonymous
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Notated MusicScène d'Alceste [Alceste, by Christoph Willibald Gluck] Scores. French. Written out by Berlioz for Pauline Viardot-GarcÃa. Six scenes in full score, the role of Alceste, prepared for the Opéra performance in 1861. Contains authentication and provenance by Alfred Cortot
- Contributor: Berlioz, Hector
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Book/Printed MaterialReceipt, Christoph Bernhard Government Publication. Manuscripts. Receipt for services. Dresden, 28 Dec. 1687. German. With accompanying authentication and biographical information, by Aloys Fuchs (1846) In . (Language).
- Contributor: Bernhard, Christoph
- Date: 1687
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Notated MusicScènes de bal: Entrée des masques, op. 17 by Jules Massenet Scores. Piano solo arrangement, written by Bizet in 1865[?]
- Contributor: Bizet, Georges
- Date: 1865
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Notated MusicSchelomo, Geneva, Jan.-Feb. 1916 Scores. To Alexander and Catherine Barjansky. Full score. Acquired in tribute to Rabbi Salomon Weil, Abraham Weil, and Thekla Weil
- Contributor: Bloch, Ernest
- Date: 1916
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Notated Music[Le Marteau sans maître, Cantata for Contralto, Flute, Viola, Guitar, Vibraphone, and Percussion, 1953-1955] Scores. Sketches
- Contributor: Boulez, Pierre, 1925
- Date: 1955
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Notated MusicRinaldo v. Göthe [Rinaldo, op. 50, Cantata for Tenor solo, Men's Chorus, and Orchestra, 1868] Scores. Full orchestral-vocal score. In original cardboard folder
- Contributor: Brahms, Johannes
- Date: 1868
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Notated Music[Vier Lieder für Singstimme und Klavier, op. 46, no. 1, Die Kränze], Baden-Baden, 26 June 1865 Scores. With documentation of provenance
- Contributor: Brahms, Johannes
- Date: 1865
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Notated MusicNeue Liebeslieder Walzer, op. 65a, [1877] Scores. Full score of the version for piano four hands, with autograph additions and annotations. Basing his arrangement on the proofs of the original setting for vocal quartet with piano duet accompaniment, Brahms makes all appropriate changes, many glued into the proofs. The closing section, Zum Schluss (text by Goethe), is fully written out as a separate autograph (1 leaf, 25x34cm.)
- Contributor: Brahms, Johannes
- Date: 1877
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Manuscript/Mixed MaterialLetter from Johannes Brahms to Philipp Spitta, January 1874 Government Publication. Correspondence. German. Musical topics; Nottebohm, Bach biography In . (Language).
- Contributor: Brahms, Johannes
- Date: 1874
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Manuscript/Mixed MaterialLetter from Johannes Brahms to Dr. Max Abraham (at C.F. Peters), 3 October 1881? Government Publication. Correspondence. [3 Oct. 1881?]. German. Expressing thanks for honorarium; mentions von Bülow, Julius Stockhausen, Franz Wüllner, Adolph Schulze In . (Language).
- Contributor: Brahms, Johannes
- Date: 1881
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Manuscript/Mixed MaterialLetter from Johannes Brahms to Dr. Max Abraham (at C.F. Peters), 20 November 1881? Government Publication. Correspondence. [20 Nov. 1881?]. Regarding laurel twigs; Nänie In . (Language).
- Contributor: Brahms, Johannes
- Date: 1881
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Manuscript/Mixed MaterialLetter from Johannes Brahms, addressee unknown, 18 June 1882 Government Publication. Correspondence. German. Refers to marital differences between Joseph and Amalie Joachim; Riedel, Hanslick. Engraved portrait of Hans von Bülow on stationery In . (Language).
- Contributor: Brahms, Johannes
- Date: 1882
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Manuscript/Mixed MaterialLetter from Johannes Brahms, addressee unknown, 11 August 1896? Government Publication. Correspondence. German. Sarcastic letter to a friend about literary matters; illness In . (Language).
- Contributor: Brahms, Johannes
- Date: 1896
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