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Columbia's centennial greeting A cantata

[Detail] Columbia's centennial greeting A cantata

Lesson Procedure

  • Activity 3 - Displaying the Issues of the Centennial Era

Activity 1: Analyzing Images of the Centennial

In 1876, the centennial of the Declaration of Independence was celebrated by millions of Americans who visited a vast Exhibition held in Philadelphia. Many others knew of this event through widely distributed illustrations. Statues, exhibit halls, and the overall layout of the exhibition grounds were designed with care to facilitate the enjoyment of visitors and to speak to them about the nation and its achievements.

In this part of the lesson, examine images from the 1876 Centennial Exhibition as primary sources of the history of the event and its time.

The Centennial of 1876 represents America's telling the story of the nation's accomplishments to its citizens and to the rest of the world. Examine the images -- whether of buildings, monuments, works of art, machinery, or artifacts -- in light of this motive. What does each image say about our then 100-year-old nation? What did Americans want to say to the rest of the world in each of these products?

Students analyze the image, recording their thoughts on the Primary Source Analysis Tool. Before the students begin, select questions from the teachers' guide Analyzing Photographs and Prints to focus and prompt discussion and analysis.

The Corliss Engine was useful as a source of power and important as a reflection of national pride. It was a large steam engine that stood in the center of the hall, dominating the space and siezing the attention of visitors, and supplying the power that drove the hundreds of machines on display in Machinery Hall of the Exhibition. Its importance was emphasized by its central position and imposing size, but also by the decision of the Exhibition organizers to officially open the celebration by having President Ulysses S. Grant and Emperor Dom Pedro of Brazil start the engine.

1. As a whole class, examine the image of the Corliss Engine, perhaps the most impressive item displayed at the Centennial. Analyze this image.

2. Choose one image from the collections listed below. You will be part of a collaborative team made up of 4-6 students who choose images from the same category.

Image Collections:

  • Fill out a Primary Source Analysis Tool for your choice.
  • Share the results of your study with your team.
  • With your team, write three hypotheses about American life or ideas in 1876 which can be supported by evidence drawn from the study of two or more images.
  • Report your results to your class.

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3. As a class, consider:

  • What are the strengths of these images as historical evidence of American life or ideas in 1876?
  • What are their weaknesses?
  • How did the exhibits at the Centennial Exhibition function as history for Americans in 1876?
  • How do they function as history for you and your classmates in the twenty-first century?

4. Read two or more written accounts below by visitors to the Centennial page. Be prepared to discuss the opinions expressed in these accounts.

Written Accounts of the Philadelphia Centennial Exhibition:

From The Nineteenth Century in Print: Books and The Nineteenth Century in Print: Periodicals

  • "Go all to the Centennial." [Manufacturer and Builder. Volume 8, Issue 9, September 1876] Page 202
  • James D. McCabe. Description of the opening of the Exhibition. In The illustrated history of the Centennial exhibition... Philadelphia, Pa. & Chicago, Ill.: The National Publishing Co., 1876] Page 267
  • William Dean Howells. "A Sennight of the Centennial."[The Atlantic Monthly. Vol. 38, Issue 225, July 1876] Page 93 Page 94
  • A description of the restaurants at the Centennial Exhibition by William Dean Howells. "A Sennight of the Centennial." [The Atlantic Monthly. Vol. 38, Issue 225, July 1876] Page 106
  • "Machinery at the Centennial Exhibition." [Manufacturer and Builder. Volume 7, Issue 10, October 1875] Page 232
  • "Indian Encampment at the Centennial." [Manufacturer and Builder. Volume 7, Issue 10, October 1875] Page 234
  • A description of the Indian encampment from McCabe's The illustrated history of the Centennial exhibition... Page 330
  • Charles Wylys Elliott. "Art at the Centennial." [The Galaxy. Volume 22, Issue 4, October 1876] Pages 489-499
  • "The Exhibits in the Main Hall and Machinery Hall." [Manufacturer and Builder. Volume 8, Issue 11, November 1876] Page 244 Page 245
  • J. S. Ingram. "History of the Centennial Exhibition." In James Dabney McCabe's A comprehensive view of our country and its resources... [Philadelphia: Springfield, Mass. [etc.] Hubbard brothers, 1876] Page 1225-1241
  • Edward H. Knight. "Crude and Curious Events at the Centennial Exhibition, I." [The Atlantic Monthly. Volume 39, Issue 235, May 1877] Pages 517-529

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Activity 2: Images as History

Historians interpret any moment in the past by examining as much evidence from as many different perspectives as they can gather. Using evidence in this way enables them to appreciate the diversity and complexity of life at any time.

Activity 1 of this project asked you to study the maps, buildings, and items used to celebrate the Centennial. These items were evidence of how America chose to celebrate. Activity 2 asks you to assess how evidence of the political and social issues of 1876 compares or contrasts with that of the Exhibition. As you turn your attention from the ideals of the celebration to the issues of real life, consider these questions:

  • What social issues were Americans concerned about in 1876?
  • What were the major issues being contested in the Presidential Election of that year?
  • What was politics like in 1876?
  • What were the civil rights challenges of the era?
  • How did issues involving women, African Americans, Native Americans and immigrants reflect the challenges posed by the diversity of American society?
  1. Working in teams, choose one category of images for close examination.
  2. Working alone or with your group, consider each image in your category carefully.
  3. Complete the Primary Source Analysis Tool for each image in the category.
  4. As a team, formulate hypotheses that consider each image in terms of its historical context.
    What do the images tell us about the significance of this topic in the history of the Centennial Era?
    How do the images support what you already knew about the era?
    How do the images differ from what you already knew about the era?
    Describe the Americans whose lives were shaped by this particular topic. To what extent was their situation known or understood by the rest of the nation?

Issues of the Centennial Era:

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Activity 3: Displaying the Issues of the Centennial Era

This part of the project invites you to construct a museum exhibit that tells the history of the topic you studied in Activity 2. Here's your opportunity to undertake the work of historians as you interpret the story of your topic for your classmates. Consider whether 1876 should be remembered as a year to celebrate the accomplishments of a century of independence, or a time when the American dream was facing profound threats. The question to address in planning your response is:

  • What are the key elements of the issue, and how does an analysis of this issue provide insight into American society in 1876?
  • Your thinking in response to this question will be presented in two forms:
    1. an essay in which you explore an image from Activity 2 of the project and
    2. a collaboratively designed model of an exhibit that uses images and captions to explain the significance of this issue in the context of its time.

Procedure

1. Your product is to be a well researched essay in which you select one of the images presented in Activity 2 of the lesson and use historical and visual sources to:

  • tell the story behind the image
  • analyze its significance in the history of the Centennial Era

2. Your model is to be a plan for a museum exhibit in the form of a room that consists of four walls illustrated with images and words.

  • Using primary source images, present an accurate and balanced representation of the issue your group studied in Activity 2.
  • Draw from your research essay and those of your teammates to plan your exhibit.
  • The images used can be from any historical source, but the origin of each must be clearly documented.
  • The exhibit - the four walls - must include a minimum of twelve images. Written captions, presented in miniature form in the model and also submitted in list form on a sheet of paper, must clearly explain the point of each image.

The room you are designing can be imagined to be any size, but for the purpose of this model, it must be represented in the form of an intact cardboard box no smaller than 8.5 X 11 inches on any side. Think of this box as a room turned inside out. The sides of the box represent the walls of the room, although shown on the outside of the box for ease of display. The sides are to be covered with plain paper prior to the attachment of any design items. The top of the box is the ceiling of the room. The bottom of the box is the floor of the exhibit.

A successful exhibit will have the following characteristics:

  • The issue being presented in this exhibit will be immediately apparent.
  • The significance of this issue in the history of America in 1876 will be apparent.
  • The exhibit design will use images and captions to "tell the story" of this issue and explain its significance.
  • The exhibit will engage the viewer by how the issue is presented.
  • The exhibit will contain a minimum of twelve images, eight of which did not appear in the "America at the Centennial" lesson.
  • A separate page will present the captions, thumbnails of the images associated with each caption, and the appropriate bibliographic citation for each image.
  • The exhibit will be completed on time and all work will be done in a neat manner with attention given to scale and visibility.
  • The exhibit will be the result of a successful team collaboration, giving attention to each team member's work on Activity 2 of the lesson.

Each exhibit will be graded using the project rubric.

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